Brian Rice is a freelance percussionist with a B.M. in Percussion Performance and Ethnomusicology from the Oberlin Conservatory of Music. A well-rounded musician, Brian is a highly acclaimed performer, educator and recording artist adept at numerous musical styles ranging from classical and jazz, to Latin, Afro-Cuban, and Brazilian, to contemporary and experimental music.

After Oberlin Brian moved to Oregon where he began doing freelance work in 1989. There he played with numerous salsa, reggae, and world beat bands, notably Balafon Marimba Ensemble a Zimbabwean marimba group, and Tiempo Caribe a folkloric drum and dance troupe specializing it the music and dances from South America and the Caribbean. In 1994 Brian moved to Seattle to join Bochinche, performing for about 120 schools across Washington each year in the acclaimed production, "A Musical Tour of the Americas". While in Seattle, Brian founded and directed Samba Seattle, a parade-ready percussion and dance troupe. He also created and directed the Afro-Cuban Folkloric Collective, a drum and dance troupe. Brian taught about 90 classes each year at the famous music store John's Music and regularly brought guest teachers from Cuba and the U.S. to teach workshops and perform with the Afro-Cuban Folkloric Collective.

Since moving to the Bay Area in 1997, Brian has branched out into a multitude of styles including Spanish flamenco, klezmer, jazz, folk, Broadway Musicals, Celtic, Balkan music, and the occasional Chinese funeral. Brian's classical music background and expertise on a vast array of hand drums came into play in 2004 when he performed in over seventy shows of The Lion King. Though Brian enjoys such a wide variety of work, he specializes in Brazilian and Cuban music.

Brian's study of the pandeiro began in 1986 when the Sao Paulo State University
percussion ensemble visited Oberlin and percussionist/composer Carlos Stasi, then a student at SPSU, gave Brian a quick pandeiro lesson after the concert. Since then Brian's obsession with the pandeiro has led him to study with Guello, Marcos Suzano, Airto, Claudio Bueno and Clarice Magalhaes, and his prowess on the instrument has led him to perform with numerous Brazilian artists including, Jovino Santos Neto, Paulo Sergio Santos, Danilo Brito, Dudu Maia and Jorge Alabe. It was studies with Marcos Suzano that inspired Brian to expand his use of the pandeiro outside the Brazilian music world and apply it to Balkan, Celtic, Middle Eastern, Spanish, and Cuban music with great effect.

In addition to teaching Brazilian percussion at The Jazzschool in Berkeley, Brian teaches privately and conducts workshops in the Bay Area and has taught at many schools and camps in the area. Since its inception in 1997 Brian has been on the scene at the California Brazil Camp as a dance accompanist and instructor. With Mike Marshall and members of Choro Famoso Brian taught a Brazilian Choro workshop at the Centrum Center for the Arts in 2007. Brian has guest lectured at Stanford University, Oberlin Conservatory, Queens College and the University of Washington. Brian was the percussion instructor at California Coast Music Camp from 2005 - 2007 and at the Puget Sound Guitar Workshop in 2008. From 1998 to 2004 Brian was the drum instructor for the Oaktown Jazz Workshop a non-profit jazz education program for youth. Brian's students from OJW are now attending prestigious music schools across the country. Brian appears on both OJW recordings.

Brian currently performs with Mike Marshall and Choro Famoso, Antonio Calogero Quartet (featuring Paul McCandless and Mike Manring), Wake the Dead (a blend of Grateful Dead songs and Celtic music), Michael Smolens Earplay Jazz Quartet, and his octet Kriya, the Dann Zinn Banned, Potaje (Spanish flamenco and Latin music), the pickPocket Ensemble (original Balkan inspired music), and One World Music (performing organizational development workshops for businesses).

Brian resides in Oakland with his wife Leslie and daughters Melody and Jordan.